Eight thematic lectures and assigned reading-reflection lectures accompanied these themes:
History of Art Technology & Science Collaborations
The Fascination with Automation and Electronics
20th and 21st Century technologies and Materials
The New Bauhaus
Experiments in Art and Technology
Center for Advanced Visual Studies at MIT
Art and Science, Ways of Seeing Visible and Invisible Environments and Situations
Macro/Micro Distinctions
Assemblage Theory
The Invention of Modern Science
Seen and Unseen Worlds
Everything is Designed
Designing for Disability
Designing for Other Senses
Innovation, Invention, Design and Drawing
AI and Design
Software Systems in Art, Design, Engineering and Architecture
The Rise of Software
The History of Software and Art
AI and its use in Art and Design
Decision-making Analysis and Automation
Architecture: A New Vision
The Importance and Immediacy of Drawing-out an Idea
The Very Brief History of Grand Projects
New Movements, Manifestos and Styles
Architectural Speculations for Engineering Problems in the Built Environment
The Importance of Being Hypothetical
Past Speculative Architectural Movements
Impermanence and Movable Structures
Renovation and Repurposing Structures (Sculpture Engineering and Architecture)
Environment, City Planning and the Engineer, Artist and Architect
First Nations Theory and Applications on Planning and Architecture
Biomimicry
Living Machines
Buckminster Fuller: Artist, Engineer, Architect and Thinker
Black Mountain College
Ecological Imperatives Eco-Art with Engineering in Mind
Art and the Use of Waste as Aesthetic Material
By-Products, Recycling/Upcycling
The Morphogenic City
New Public Spaces
Transportation Systems
Communication Systems
Development, Redevelopment, Preservation